JAM on the Marsh
A Film Competition and series of Filmmaking Masterclasses
What's it all about?
JAM on the Marsh and Screen South, with support from National Lottery Heritage Fund funded Fifth Continent, are launching an exciting new film making competition, open to residents of Kent or Sussex. This project includes a limited number of free filmmaking masterclass places and public screenings in July 2020.
The Film Competition
Your film can be shot in any genre, and be up to 10 minutes long. You must be resident in either Kent or Sussex and to be eligible for entry to the competition films must be shot on, and contain, identifiable shots from the Romney Marsh.
The closing date for submissions is midday on Friday 5th June 2020 when the films will be judged by a panel. Selected films will be screened at an industry day and precede the main features at Cinemarsh during JAM on the Marsh this July. There will be a prize for the best film and a JAM on the Marsh/Screen South laurel awarded. For more information on how to take part, see below.
The FREE Masterclasses
Please note, we have now reached our maximum capacity for this opportunity. If you wish to be put on our waiting list, please contact us.
To assist your entry, don’t delay to register for 6 free masterclasses being held on Saturday 29th February, 7th and 28th March 2020 at Screen South in Folkestone. These interactive style classes are limited to 12 attendees who will receive tuition from industry professionals in a variety of topics including sound, camera and editing. Attendance at the classes will also enable you to borrow, free of charge, film making equipment.
The Film Competition
The Production Pack
Below we have included a production pack which contains the following documents, some of which you must upload with your final film:
- JAM Film Competition – Competition Rules
- JAM Film Competition 2020 – Certification Document (TO BE SIGNED)
- JAM Film Competition 2020 – Submission Document (TO BE SIGNED)
- JAM Film Competition 2020 – Team Leader Agreement (TO BE SIGNED)
- JAM Film Competition 2020 – Uploading Information
- You must register to apply for the competition via Screen South (details below).
- Films must be shot on the Romney Marsh and must contain identifiable shots from the Marsh
- Films can be any genre: Art, Animation, Fiction, Non-Fiction etc
- Films must be between 5 – 10 minutes in length.
- The final fully edited film must be uploaded by midday on Friday 5th June 2020 (details on how to do so will be emailed to you when you register).
- All films entered will be judged by a panel and the judges’ decisions are final.
- By entering a film, you are granting JAM on the Marsh, Screen South, Fifth Continent and its partners’ permission to share the film online, use for promotional purposes or for screenings.
- Filmmakers who incorporate any images, writing, music or other creative material where rights (including intellectual property rights) belong to a third party, must obtain the third party’s express permission.
- If you wish to borrow equipment from Screen South and Fifth Continent, you must attend all the masterclasses as advertised below.
- Filmmakers will receive a production pack with more information upon registering for this competition.
Please note, we have now reached our maximum capacity for this opportunity. If you wish to be put on our waiting list, please contact us by filling out the registration form below.
10am – 1pm
2pm – 5pm
Saturday 29th Feb 2020
– Developing your ideas.
– Bringing your idea to screen.
Saturday 7th March 2020
– Bringing the pictures alive, the hidden art.
Planning Your Shoot
– What is pre- production all about?
Saturday 28th March 2020
– Lights ,Camera, Action!
– Bringing it all together.
Since 2011 she has been a regular contributor to filmmaking and screenwriting events at the BFI as part of the Future Film activities. Her primary interest is promoting diverse representations of women on and off screen, and in 2010 co-founded the Underwire Festival, which champions women filmmakers across the technical crafts. She currently has two feature films in development that feature provocative and complex female characters in stories subverting preconceptions about women.
He turned his hand to creating moving image projects such as The Box, a pop video / short film starring Tilda Swinton with music by Orbital. He has directed internationally recognised shorts and docs, pop videos, interactive digital art and animated visuals for numerous live music events.
His films include documentary feature “The British Guide To Showing Off” and award winning shorts “The Box”, “Poof”, “Orders of Love” and “The Holocaust Tourist”. TV includes “The Man with the Extended Mind” and episodes of “MixMasters” for ITV and “sk8n16” for ExtremeSports TV.
Jes is currently working on a project about school exclusions and their impact.
Neil writes and performs his own music in addition to composing and creating sound design for film (including Screen South / C4 Random acts animations Quarantine 2019, Robot Boy 0713, 2018). Neil has worked with Andrea Arnold as well as many up and coming indie talent on shorts and features. Neil lectures in songwriting and sound engineering at London College of Music.
He has now worked professionally on a wide variety of projects including documentaries, art films, music videos and, drama. Prior to his work as a Cinematographer and Filmmaker Bevis was Head of Production at Film and Video Umbrella. He produced over 20 productions working alongside emerging and established filmmakers and artists.
Bevis runs practical studio and field based workshops in filmmaking, including natural history, that focus on the complete craft necessary for the making of short films. He has delivered training for BBC Arts New Creatives; Channel Four Random Acts and Screen South.
Bevis has filmed and worked with the following: The Arts Council of England; The Arts Council of Wales; The Barbican; BBC; John Cale; Nick Franglen; Film and Video Umbrella; Hamish Fulton; Ori Gersht; Great North Run Culture; Graham Gussin; The Henry Moore Foundation; Tom Hunter; Shona Illingworth; Make Music New York Festival; Melanie Manchot; Michael Sheen’s Port Talbot Passion; Robby Müller; The Musée d'Art Contemporain du Val-de-Marne, Paris; Museum of Fine Art Boston; National Museum Wales; New Creatives / BBC Arts; Nuit Blanche, Paris; Ogilvy & Mather; Olympic Delivery Authority; Random Acts/Channel 4; Screen South; The Serpentine Gallery; SRG SSR / Swiss TV broadcaster; Turner Contemporary Margate; Mark Wallinger; The Wellcome Trust.
Dan started his career cutting TV spots, trailers and promotional reels for Lipsync in London, working on films such as: Skyfall, X-Men First Class, The Croods, Berberian Sound Studio, 13 Assassins, Homeland, Glee and Family Guy. He later went on to work on TV and cinema campaigns for; Guardians of the Galaxy, The Captain America series, Deadpool and Jurassic World: Fallen Kingdom.
After Dan’s time at Lipsync, he became a freelance editor where he has cut a variety of projects for broadcast channels such as the BBC, ITV, Channel 4, Sky, and online channels such and Amazon and Netflix. Some include; Hansa Studios: By The Wall 1976-90, Suede: The Insatiable Ones, New Order: Decades, Road To Gymkhana Grid, Grand Prix Driver, Geordie Shore, Mary Portas and Bangkok Airport.
The past year Dan has spent a great deal of his time developing projects of his own and for other production companies.